The Top 25 Tracks of 2013: 11-25

This blog was never designed to be a music news blog, but if I don't post my favorite tracks from 2013 as a compilation then they will never get posted in a soundtrack-style playlist at all.  So without further ado, here are my Top 25 Tracks of 2013 - the songs that rose above the noise, pushed boundaries, and made me excited about music again.

(Not all of these were on Spotify so you'll have to click the links for the ones in blue.)

• 11. Bibio – A Tout A L’Heure - Bibio has always had a great texture to his music, but it wasn't until A Tout A L'Heure that he managed bring excellent vocals into the mix. This one is going to make every vacation playlist I make from here on out.
• 12. Phosphorescent - The Quotidian Beasts - Call me crazy for not putting Song for Zula in this slot, but Quotidian is really the one on this album that does it for me. The guitar line that holds it all together, filled with attitude and experience, is one that doesn't happen so often in music nowadays. It's an ambitious tune and even Phosphorescent barely has the years under their belt to pull it off... but they do... and it's awesome.
• 13. Blondes - Andrew - Swisher was my favorite electronic album of the year, because it was made for the club, but could easily be dissected by a group of intellectuals over a bottle of wine. Andrew is representative of Blondes' slick attitude and knack for the adventurous. DJs use this to separate the early stage of the night from gametime. You're not messing around when you throw this on.
• 14. Juana Molina - Eras - The guitar here really reminds me of early Radiohead and I love it.
• 15. Sophie - Blipp - Imagine a DJ dropping this in the middle of a house set? Everyone would lose it. It's so different, but immediately likeable. I imagine people absolutely breaking it down, kind of like the dance scene in Two Lovers.
• 16. Courtney Barnett - Avant Gardener - Talk about a head trip. It's rare to find a song where the vibe between the lyrics and the instruments meet up so well. Barnett pulls off the straightforward indifference to her own anxiety problems so well that someone should probably call a doctor.
• 17. Toro y Moi – Rose Quartz - the best build of the year.
• 18. Burial – Rival Dealer - Just before the end of the year Burial released the Rival Dealer EP composed of three cinematic tracks that surprised pretty much everyone for their dramatic departure from his slow, sparse dubstep history. Hiders is a close second here, but Dealer wins, because it drops a relentless jungle beat out of nowhere. Not only is it a surprise in the song itself, but in the context of Burial's career no one saw that coming. So to hear it for the first time was truly mindblowing.
• 19. Daft Punk - Doin’ It Right ft. Panda Bear - Who knew Panda Bear and Daft Punk would sound so good together? Random Access Memories is cool in that before Daft Punk would just sample a vocal like this, but here they actually collaborated on new material with leading musicians from a couple different genres and eras. Kind of refreshing in the age of digital everything.
• 20. Almunia - Wrapped In Your Hair - My new favorite roadtrip album. The guitar line around 3 minutes gets me every time.
• 21. Motor City Drum Ensemble - Send A Prayer pt. 2 - throw it on some good speakers and pour yourself a drink.  What a good track to play in the middle of a classy party. Just people floating around from room to room checking out the scene. Sheesh. The double bass beat is so damn confident it’s sexy.
• 22. White Denim - Pretty Green - Sometimes I feel like new indie bands hide behind their trendy lo-fi fuzz effects, too afraid to play it to us straight.  Not White Denim.  They want you to hear what’s going on and that is a very good thing, because these guys have serious chops. 
• 23. CFCF - Beyond Light - The Last of the Mohicans meets Mission to Mars.
• 24. Eluvium - Rain Gently - Rain Gently is Eluvium doing what he does best, slowly creating introspective atmospheres that start out as songs and evolve into something much more.  It’s the sound of you having an epiphany. The title is downright corny though.
• 25. Finnebasen - Bella - You’re driving your red 1969 Ford Mustang Boss through the Nevada desert at night.  It was hard to leave but you had to.  Things would have never worked out between you two.  Have you really been driving all night? I guess so... the sun is about to come up.

1-10 will be posted later this week.

image: Fedrigoni Woodstock

Lost in Summer

This is a reserved summery-slowjam playlist that goes well
with mornings, latenight bonfires, and a cerveza. 

Sorry for the lack of blog activity. 
Who would’ve thought your free time becomes
limited once you land a real job??

1. Brian Briggs – Aeo (Pts 1 and 2)
   Welcome to what is quite possible the best morning song: it creeps in gently, it is light and fun-loving, it has a repetitive rhythm… it makes you coffee.
2. Patrick Lee – Hovercraft Song 
   Just uncovered this older Patrick Lee jam.  Some of his hip-hop pieces are too glitchy for me. He is best when he keeps it straightforward and simple.  This is the getting out of work on payday jam.
3. Sorcerer – Cobra Coven
   Taking it back to Miami.
4. Sandro Perri – Changes
   Changes wins the award for the most unexpected song twist.  The chromatic breakdown in the middle surprisingly doesn’t sound out of place.  Thanks to Jack for the suggestion.
5. Umberto Tozzi – Dummi Di No (Nassau Poste80 Edit)
   If I ever landed a sweet job in the 80’s I would put this on as I exited the elevator.
6. Steely Dan – Peg
   Couldn’t resist…
7.  Sailcat – Motorcyle Mama
   You can’t listen to this without clearing the sweat off your brow with a cold Sol.
8. The War on Drugs – Taking the Farm
   TWOD are the band of the year for me (although technically Slave Ambient came out in 2011).  You could argue that a lot of their songs sound the same, but I love that sound.  As Johnny put it, “It’s like driving a red convertible in the desert while smoking a cigarette.”
9. Marco Benevento – You Must Be a Lion
   Sorry to bring you down, but I have been wanting to post this track for awhile now.  Something about it reminds me of the feeling you get when you know you are growing up.  The outro is incredible.  By the way he is playing a free show at the City Winery on July 10^th if anyone is interested.
10. AA Bondy – No Man Shall
    AA Bondy used to front a punk band. His most recent work is all acoustic, but no less punk in spirit.  Really great for night walks. 
11. The Books – There Is No There
    If I had any say I would’ve picked this song for this Oregon timelapse video – especially for the night sequences.
12. Damian Jurado – Cloudy Shoes
    Big thanks to BK for introducing me to Damian Jurado through this Berrics skate video.  Can music get any more introspective?
13. Jeff Tweedy – Sunken Treasure (live)
    Just give it a listen – preferably with no one else around.  Thanks to Hazlett for recommending the Live in the Pacific Northwest album, which is fantastic.

image: Oh Pioneer

MFNW - Day Four

Typhoon in Pioneer Square

Saturday
Explosions in the Sky
The Antlers
Typhoon
Eluvium

Portland's Living Room was the perfect setting to experience the instrumental post-rock of Explosions in the Sky and the big-picture ambient droning of Eluvium.  Pioneer Courthouse Square is a brick covered park in downtown Portland that is surrounded by skyscrapers and constant city life.  

If you bought a wristband to MusicFest NW you were able to go to every club show and one of the big three shows (Iron & Wine, Band of Horses and Explosions).  Having seen Band of Horses before (excellent) and being not so enthused about I&W's newest release I opted to see Explosions in the Sky again given the urban setting.  The fact that you had to put some thought into going to this show meant that everyone there really did want to see one of these bands.  You could tell this type of crowd could get into emotionally charged power chords and maybe even a Friday Night Lights episode or two.

Can you count how many people are wearing feathers in their caps?

I have been a big fan of Matthew Cooper's ambient releases as Eluvium for a long time.  Ambient music requires a certain setting and the listener to be in certain mood in order for it not to sound like overhyped nonsense.  Don't click on these links and expect to immediately "get it".  Don't even try to listen.  Instead I encourage you to listen to something like Indoor Swimming at the Space Station  as you go to sleep tonight.  Eluvium excels at transferring emotion and atmosphere into long pieces that truly transport the listener to a different level of consciousness.  Time seems to slow down and reality is observed rather than experienced.  I believe they call it "an out of body experience."
   Going to an ambient concert is bizarre in that nothing much happens in the way of visuals but yet there is an incredible layering of sound for your brain to process.  Eluvium's Matthew Cooper (Portland via Kentucky) came on stage in a humble manner, picked up his guitar and slowly hypnotized everyone in attendance.  It didn't make sense at first, but once he had looped a few guitar lines without you noticing, the streetcar that could be seen over the venue wall slowed down and the sun on the skyscrapers turned a little more orange as their shadows shifted to the right.  By the time Cooper finished Underwater It Glowed I had to shake my head to remember where I was.  He played a few gentle piano pieces like Radio Ballet that didn't quite hit home for me like they do on the album.  He ended by looping a dark, sustained piano tone to the point where it absorbed every other sound. 
  And then it stopped.

Typhoon huddle up before the show.

Oregon native Typhoon was next up.  Kyle Morton could put on an interesting singer-songwriter show all by himself but he takes it to the next level by inviting 12 or 13 ragtag musicians to bounce through his serious harmonies with him.  I was getting hints of Arcade Fire.  Two synchronized drummers made the live show pretty fun to watch and the band has a clear chemistry on stage as if they're delighted to be together let alone playing to a big audience.
   The Antlers play some version of post-rock that I never care to listen to again.  Too many bad hairdos and I'm sure there's some street performing drummer that could have done a better job in the percussion department.  Although there was a cool moment when a fire truck drove by with its siren blaring and surprisingly, instead of ruining the music it went perfectly with the sparse, distorted guitars and moody keys.  

Explosions in the Sky playing that one song where the running back beats that one tackle only to turn around and see his girlfriend necking with the new kid in the bleachers.

The guys in Explosions have clearly been seeing some success.  They know which songs people have played on repeat late at night while they waited for sunrise or walked by that one swing set.  First Breath After Coma and Your Hand In Mine definitely steal the show.  They also have somewhat of a light show that adds to the "epic" effect.  

Seeing them again reminds me why they were so cool to begin with.  They play conventional rock instruments in a different manner entirely.  Instead of simply picking a rock beat, drummer Chris Hrasky will do a build up on the cymbals to set the scene and then fire off machine gun snares.  Basic song structures are nowhere to be found and stories are told through quiet periods (there were literally a few moments of complete silence) and suspenseful, quick passages.  Long before Friday Night Lights hit the small screen EITS evoked the stark desolation of small Texas towns (its home state).  Yet despite this bleak setting their is a sense that change can occur, that there are bigger players at work here....that there is hope.
  

Musicfest Northwest wraps up under a harvest moon.

Images: Noel

MFNW Preview

 

All my new-playlist-digging time has been devoted to biking around to different shows at Music Fest Northwest this week.  (Think Austin's SXSW, but smaller and with more moustaches.)  Now I don't see this blog as a music journalism site, but when an expertly curated music festival happens to occur in your city and you find yourself blogging about music, then well, I guess you should at least mention the highlights. 

All that and more is still to come, because the Fest is only getting started (it began on Wednesday), but in the meantime here are some well-crafted songs that I have come across while sifting through the largely underground lineup.

 Celilo - Baroque Blues myspace

 Blind Pilot - The Story I Heard

Typhoon - The Sickness Unto Death/The Honest Truth (first video)

The Heligoats - Goodness Gracious 
and Glass of Water (second video)
 

p.s. If you have time look at the Willamette Week's write-up on each artist.  They manage to capture each act's essence, history and hook in a few sentences.  Excellent reporting.